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The Ten Percent Thief is an Arthur C. Clarke Award nominee!

We’re thrilled to see The Ten Percent Thief by Lavanya Lakshminarayan on the 2024 Arthur C. Clarke Award shortlist!

The winner will be announced at a ceremony on 24th July 2024 and you can check out the full shortlist here.

Set in a futuristic Bangalore known as Apex City, where a person’s rights are dictated by their usefulness to society, The Ten Percent Thief is a fresh, dystopian mosaic novel following the city’s inhabitants from across the social spectrum—and the rebellion that’s brewing underneath it all…

For fans of Red Rising and Poster Girl, The Ten Percent Thief is out now in paperback, and Lavanya’s brand new novel, Interstellar MegaChef, is available to preorder!

Nothing has happened. Not yet, anyway. This is how all things begin.

Welcome to Apex City, formerly Bangalore, where everything is decided by the mathematically perfect Bell Curve.

With the right image, values and opinions, you can ascend to the glittering heights of the Twenty Percent – the Virtual elite – and have the world at your feet. Otherwise you risk falling to the precarious Ten Percent, and deportation to the ranks of the Analogs, with no access to electricity, running water or even humanity.

The system has no flaws. Until the elusive “Ten Percent Thief” steals a single jacaranda seed from the Virtual city and plants a revolution in the barren soil of the Analog world.

Previously published in South Asia only as Analog/Virtual, The Ten Percent Thief is a striking debut by a ferocious new talent.

“Lavanya Lakshminarayan breathes new life into dystopia” — The Washington Post

“Smart, vivid, engaging” — The Guardian

“A new masterpiece”SciFiNow

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OUT NOW: Snowblooded by Emma Sterner-Radley

Happy book birthday to Snowblooded by Emma Sterner-Radley!

The Princess Bride meets Six of Crows in this queer Scandinavian fantasy romp, where a pair of rival assassins must team up to kill the mysterious leader of their city’s illegal magic trade.

Valour and Petrichor are esteemed members of the Order of Axsten, an assassin’s guild tasked with keeping order in the rough city of Vinterstock. Plucked from the streets as children and raised to compete for their guild’s approval, Valour uses her brawn to survive, while Petrichor strives to be a gentleman assassin. When they’re given their biggest job yet—to kill Brandquist, the mysterious leader of the city’s illegal magic trade—it’s a recipe for disaster. If they can quell their rivalry long enough, the reward will be enough to settle their debts with the Order and start new lives.

If this job wasn’t dangerous enough, Valour is saddled with protecting the aristocrat, Ingrid Rytterdahl. Valour finds her dangerously attractive, but Petrichor can’t wait to be rid of them both. He begrudgingly accepts Ingrid’s knowledge and connections as they navigate the city’s criminal underbelly in pursuit of Brandquist.

As secrets bubble to the surface, the duo must outwit the thugs on their tail, keep Ingrid alive, and—hardest of all—work together without murdering each other.

“Swashbuckling adventure, sweeping romance, and wit as sharp as an assassin’s knife come together to create a quintessentially delightful read.” —S.T. Gibson, author of A Dowry of Blood

“Oceans Eleven meets queer nordic assassins in this thrillride fantasy debut. Valour and Petrichor are a fatally flawed (and flawlessly fatal) duo who must overcome their distaste and distrust of each other in order to outwit a target who will otherwise destroy both of them.” —Sunyi Dean, author of The Book Eaters

“Bursting with twisty intrigue, fascinating worldbuilding and two leads whose tongues are as sharp as their knives, Snowblooded is a banter-filled fantasy delight.” —Frances White, Sunday Times bestselling author of Voyage of the Damned

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Revealing the cover of The Unkillable Princess by Taran Hunt!

We’re so excited to share the cover of The Unkillable Princess by Taran Hunt, sequel to beloved 2022 favourite The Immortality Thief, designed by Martin Stiff at Amazing15!

Sean grapples with family – the one he’s found and the one that’s found him – in this rollicking sequel which will hit bookshelves in February 2025.

How far would you go for family?

Having escaped the dangers of the Nameless with the Philosopher Stone data, Sean thought his troubles were over. Until he gets a call for help from his sister Brigid–his long-dead sister.

Brigid is sparse on the details, but she needs Sean to go to the Republican city of Illin to retrieve something called a “Purifier” for her. Reeling from the desperate hope that his sister is alive, Sean aims for Illin, dragging his new companions, Tamara Gupta formerly a Republican soldier, and Indigo, the Minister responsible for the destruction of Sean’s home, into the fray.

But as usual, Sean hasn’t quite thought this through. The three of them are all wanted by Republican authorities, and Illin happens to be on the same planet as Sean’s old friend Senator Ketel. Y’know, the one who blackmailed and nearly murdered Sean. With every move Sean makes he discovers more intrigue, more people on his tail, and more ways that his little adventure could be the spark for war between the Republic and the Ministers. And to what end? Is it really his sister, a chance for family, and safety, on the other side?

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Why Solaris authors write science fiction

It’s no secret that we love science fiction here at Solaris – and that we’re lucky enough to publish so much of it! – but what is it about the genre that entices our authors?

Well, to celebrate Star Wars Day, we asked some of them just that! And here’s what they had to say…

Lavanya Lakshminarayan

Science fiction holds endless possibilities; it’s as limitless as spacetime, as reflective as an infinity mirror. It can bend and reshape perspectives on reality, and it can frame our visions for the future.

I grew up in India, and we didn’t always have access to a ton of science fiction, but I was lucky enough to have a family that raised me with a sense of wonder. When I was very young, my mother introduced me to Star Wars. The first show I was allowed to stay up late to watch on a school night was Star Trek. One summer, I stumbled upon stacks of science fiction novels in my grandparents’ library—all the classics from the 60’s and 70’s—and I devoured them all.

I didn’t realize until I was much older that I’d seldom encountered characters with names like mine. I possessed a deep-rooted sense of wonder, but while I was tracing the outlines of all these futures, the vastness of the universe didn’t seem to have room for people like me…

And so, I write science fiction to envision the lives of people like me in the future, where our backgrounds and histories and cultures influence the shape of the future, so we get to live that sense of wonder for ourselves, instead of being on the outside looking in.

Science fiction is a place of freedom, where all things are possible, and everyone can belong. This is what keeps me coming back to the page, every single time.

Derek Künsken

Sure, the world is an interesting place, but are there lightsabers here? Phasers? Monsters to trick or fight? Does the real world have cool helmets? What about shiny Cylons? Sure, there’s danger in the world, but is it containable? Defeatable? Punchable? Does real world danger come in bright laser blasts with special effects sounds? Sure, there’s heroism in the world, but do the actions of one person tip the scales, save the good guys? There are cool places in the world, but are they forest moons, gas giants, asteroids, and the dark vacuum of space? There are lots of readers looking for detective mysteries, heart-racing romances of yesteryear or the here and now, political thrillers and so on, but I’ve always wanted to be transported in books and film to other worlds, peopled with strange aliens, to adventures unknown in my world. That’s what I need to see. I don’t know why I write. I just always have – I’ve always needed to. And in writing, I transport myself to other places, other times, and other realities, and hopefully bring along some readers too.

Rebecca Fraimow

Fiction can do a lot of incredible things, but for my money, two of the most powerful are the shock of the new and the shock of the familiar: when a book presents you with a thought, image, or idea that you’ve never had before; when a stranger on a page expresses something that immediately makes you think ‘oh, me too’. I love speculative fiction because it lets you imagine all kinds of different lives that people might live — every possible ‘what if’ under the sun — and the stranger it gets, the more powerful those moments of connection and recognition become. I love the moments when a character who lives in a galaxy far far away experiences something that feels indescribably strange to me, and I love the moments when they experience something that’s so profoundly human that it could have happened to me yesterday buying groceries.

Yoon Ha Lee

It’s 90% true that I’m in sci-fi for the big space battles, because I can be counted on to lower the discourse. But the other reason is that I am very boring and health prevents me from having adventures, and I suspect “trapped in a desperate no-win situation by a maniacally cackling author” is way more fun to read (write?) than to experience. I love that sci-fi allows me to imagine adventures in extraordinary circumstances; that it lets me pose the terrible over-the-top questions, inhabit the terrible over-the-top scenarios, that I would never go near in real life. In real life, I want hot running water, kthx (I have lived in a house without it). I experience the ordinary everyday by existing. It’s the extraordinary, the outright impossible, that I crave.

Also I was that extremely gullible kid who spent years searching my grandma’s closets for Narnia, so there’s that, too.

Ren Hutchings

Science fiction takes us on adventures to worlds both familiar and strange, from eerily-possible near-futures to fantastical alternate realities, and I love it in all its flavours. I adore worldbuilding, and I love discovering more about a fictional universe as a series or franchise expands. But so much of what I love about all genre fiction is the character journeys. Throw in some of my favourite character tropes and I’m all in.

I love a rag-tag crew suddenly pulled into an adventure, I love bickering opposites who’ve lived vastly different lives being thrown together to cooperate, I love an ordinary person called upon to do something extraordinary. Placing a compelling character story against a sci-fi backdrop is the recipe for many of my favourite movies, shows and books, and the original Star Wars trilogy was definitely a formative part of my inspiration to create sci-fi stories of my own.

As I work on the next books in my own series, I’ve thought a lot about how to craft fictional universes that feel like they expand far beyond what’s seen on the screen or on the page. And by contrast, the way a small moment or a tiny corner of that universe can feel immense when seen through a certain character’s lens. Because sci-fi is not only the discovery of new worlds and experiences, but their discovery specifically through the eyes of the characters that live in them.

Edward Ashton

I didn’t set out to be a science fiction writer. I first made a (small) name for myself writing the sort of stories that are published in journals with names like The Southern Missouri Literary Review. After my first child was born, though, I took a break from writing, and when I came back to it years later I decided to try writing the kinds of stories I really loved to read rather than the ones that my writing professors had drilled into my head.

Science fiction has two great virtues that have drawn me to it as both a reader and a writer. First and most obviously, the genre permits incredible creativity. Contemporary fiction is constrained by the contemporary world. That has its own virtues—the defined form of a haiku or a sonnet forces the poet to express herself with far greater precision than free verse—but speculative fiction allows the writer to invent a world purpose-built to illustrate whatever message she’s trying to communicate.

More importantly, the fact that science fiction allows the writer to set a story in a time and place that has no obvious connection to the contemporary world allows the writer to speak directly to the reader about contemporary issues without having emotional blinders get in the way. If I write a critique of modern capitalism set in contemporary New York, some large fraction of my readers will take what I’m saying as a direct criticism of themselves and their lifestyle, and at that point all communication stops. If I set that same critique a thousand years in the future and a dozen light years away, though? Now I’ve at least got a chance of getting my point across.

Also, of course, science fiction has dragons. Who doesn’t love dragons?

Taran Hunt

There are so many reasons to appreciate and enjoy science fiction that I could not narrow down the appeal to a single cause. Instead, here are five reasons that I love science fiction:

  1. I watched Star Trek: Voyager as a child and imprinted like a baby duck.
  2. I studied physics in college. Calculating time dilation makes me feel alive.
  3. Every author must have something inexplicably wrong with them. Art comes from this unresolvable fault in the soul. The fault in my soul involves aliens, somehow.
  4. Science fiction allows the exploration of what might exist: either elsewhere in the universe, or in our own future. Familiar inter- and intrapersonal conflicts can be represented by unfamiliar and fantastic settings and concepts. The hypothetical and the unfamiliar focus on the familiar in an exciting way.
  5. Only in science fiction can you find swords on spaceships. Swords. On spaceships.

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Solaris to publish Tlingit epic fantasy by Caskey Russell

Solaris is delighted to announce the acquisition The Raven and Eagle Series, consisting of The Door on the Sea and its two sequels, by Caskey Russell.

From member of the Tlingit Nation of Alaska, Caskey Russell, The Door on the Sea is a Tlingit answer to Tolkien in which a bookish outcast must lead a crew including warriors, a giant wolf, and the mythical Raven to steal the only weapon that can defeat the shapeshifting colonists that threaten his community.

A modern, Indigenous reclamation of the quest fantasy genre, an ode to the power of storytelling, and an alternate-history retelling of white missionary colonialism, The Door on the Sea is a rich, adventurous debut for fans of Black Sun and The Adventures of Amina al-Sirafi.

World All Languages Rights were acquired by Amy Borsuk from Lauren Bajek at Liza Dawson Literary Agency. The Door on the Sea will be released in September 2025.

Author Caskey Russell on the acquisition:

“I am thrilled and delighted to be working with Solaris on The Door on the Sea and my entire Raven and Eagle Series. And I’m very grateful for Solaris for providing a way to share these stories, which are grounded in Tlingit culture, with the world. I want to thank Amy Borsuk and the entire Solaris team for working with me to bring these books to life!”

Acquiring Editor Amy Borsuk:

“I’m absolutely thrilled to be bringing Caskey’s fun, magical and epic Tlingit fantasy series to the world. Caskey’s nautical quest tale draws from Tlingit mythos and his own personal sense of Tlingit identity as shared with his family and his clan. This wonderful story has a fantastic cast of characters, featuring a particularly crude yet wise raven, bear humans, wolf cousins, a bookish hero and the warriors holding him up. But it is also much more than that: it is a captivating and original portal fantasy adventure that comes from the heart and explores the messy, harmful and tangled reality of what happens when one’s world is shaken by the invasion of those claiming everything you know is a lie.”

Caskey Russell is from Seattle Washington, and has lived in Oregon, Iowa, Wyoming, and New Zealand. He is a father, a professor, a musician, and an enrolled member of the Tlingit Nation (Eagle / Kooyu Kwáan) of Alaska.

For press enquiries please contact Jess Gofton, PR & Marketing Manager: jess.gofton@rebellion.co.uk.

For rights enquiries please contact Sam Birkett, Rights Manager: sam.birkett@rebellion.co.uk

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Revealing the cover of Saint Death’s Herald by C. S. E. Cooney!

We’re delighted to be sharing the stunning cover of Saint Death’s Herald by C. S. E. Cooney, designed by the fabulous Kate Forrester!

Sequel to the critically-acclaimed and World Fantasy Award-winning Saint Death’s Daughter, Saint Death’s Herald continues the adventures of necromancer-with-heart, Miscellaneous “Lanie” Stones, and will be released in April 2025.

Miscellaneous “Lanie” Stones is the necromancer that Doédenna, god of Death, has been praying for.

True, she’s always been more interested in books and pastries than in creating abominations and raising armies of the undead. But still—she lives to love and serve Saint Death. And damn it duodecifold, Saint Death needs her! Lanie has many talents—her powers of death magic are growing more complex and stranger every day—but first and foremost is her ability to lay the unrestful dead to their unending slumber.

Unfortunately for Lanie, the most restless of these “unrestful dead” happens to be her own great-grandfather, the powerful necromancer Irradiant Stones. After having escaped from his temporary prison, he is possessing people from all over the realms, sucking them dry of their magic and discarding their bodies when there’s nothing left to take, growing stronger and stronger all the time. His ultimate goal? To return to the icy country of Skakmaht, where he died, and finish conquering the North for his own. First the North—then the world! After Irradiant takes care of his pesky great-granddaughter Lanie, that is: the only person on Athe who can stop him.

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Solaris to publish The Serpent Called Mercy by Roanne Lau for the UK

Solaris is delighted to announce the acquisition of The Serpent Called Mercy by Roanne Lau for the UK, a Malaysian Chinese-inspired epic fantasy novel for fans of Squid Game and The Witcher in which a debt-ridden slumdog joins an illegal monster-fighting arena.

Lythlet and her only friend Desil are shackled to a life of debt and poverty that she fears they will never escape. Desperate for money, they sign up as conquessors: arena combatants who fight sun-cursed beasts in the seedy underworld of the city.

Match-master Dothilos is initially enamoured of Desil’s brawling reputation, but after seeing Lythlet lead the pair to triumph with her quick cunning, he takes her under his wing, scorning Desil. Ambition takes root in Lythlet’s heart as a life of fame and wealth unfolds in her imagination.

But Lythlet isn’t the only one out for coin and glory, and she soon finds herself playing an entirely different game—a game of politics and deception. As the cost of her ambition grows, she will have to decide if sacrificing her honour, and only friendship, is worth the chance to shape her own fortune.

UK/BC, excluding Canada, English Language Rights were acquired by Amanda Rutter from Keir Alekseii at Azantian Literary Agency.

The Serpent Called Mercy will be released in January 2025.

Author Roanne Lau on the acquisition:

“I am beyond delighted to be working with Solaris in bringing my debut The Serpent Called Mercy over to the UK and the Commonwealth. From day one, Amanda Rutter’s enthusiasm for my book has been nothing short of serotonin-boosting, and with her keen editorial eye and the brilliant Solaris team behind her, I have no doubt my book is in safe hands.”

Acquiring Editor Amanda Rutter:

“From the first time I read The Serpent Called Mercy, I knew that this was an exceptionally special book, which explores brilliant themes of friendship and the price of honour. Roanne’s writing is sublime, and I know readers will eat up Lythlet’s world.”

Roanne Lau is a speculative fiction author whose works are informed by her experiences living in Malaysia, Australia, Taiwan, and Japan and being the descendant of Chinese immigrants. She was selected for the Pitch Wars mentorship program in 2021. The Serpent Called Mercy is her debut novel.

For press enquiries please contact Jess Gofton, PR & Marketing Manager: jess.gofton@rebellion.co.uk.

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Solaris acquires Vajra Chandrasekera’s award-winning fantasy novel The Saint of Bright Doors for the UK

Against a black background with white stars and the white Solaris logo in the top right corner, two blue circles. In the larger circle, white text "Acquisition Announcement. Vajra Chandrasekera. THE SAINT OF BRIGHT DOORS. June 2024." In the smaller circle, an author photo of R. T. Ester.

Solaris is delighted to announce the acquisition of Vajra Chandrasekera’s The Saint of Bright Doors and Rakesfall in a two-book deal for the UK.

The winner of the Crawford Award and a finalist for the Nebula Award, The Saint of Bright Doors sets the high drama of divine revolutionaries and transcendent cults against the mundane struggles of modern life, resulting in a novel that is revelatory and resonant.

Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy.

He walked among invisible powers: devils and anti-gods that mock the mortal form. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city, and fell into a broader world where divine destinies are a dime a dozen.

Everything in Luriat is more than it seems. Group therapy is recruitment for a revolutionary cadre. Junk email hints at the arrival of a god. Every door is laden with potential, and once closed may never open again. The city is scattered with Bright Doors, looming portals through which a cold wind blows. In this unknowable metropolis, Fetter will discover what kind of man he is, and his discovery will rewrite the world.

UK/BC, excluding Canada, English Language Rights were acquired by Amanda Rutter from Chris Scheina at Tordotcom.

The Saint of Bright Doors will be released on 6th June 2024. Preorder here.

Author Vajra Chandrasekera on the acquisition:

“I’ve long been a fan of the wonderful work that Solaris publishes, and I’m utterly delighted that they will be bringing my books to readers in the UK.”

Acquiring Editor Amanda Rutter:

“I am so thrilled to be publishing Vajra’s work for a UK audience – his books are vital and challenging, and I adored every word when I read them both. New readers can expect stunning prose, vivid characters, and utter originality, and I can’t wait to see what people think!”

Vajra Chandrasekera is from Colombo, Sri Lanka and is online at vajra.me. His debut novel The Saint of Bright Doors was a New York Times Notable Book of 2023, and his short fiction, anthologized in The Apex Book of World SFThe Gollancz Book of South Asian Science Fiction, and The Best Science Fiction of the Year among others, has been nominated for the Theodore Sturgeon Memorial Award. His second novel Rakesfall is out in 2024.

For press enquiries please contact Natalie Sorrell Charlesworth, Digital Marketing and Social Media Executive: natalie.charlesworth@rebellion.co.uk.

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Solaris acquires dark sci-fi debut The Ganymedan by R.T. Ester

Solaris is thrilled to announce the acquisition of The Ganymedan by R.T. Ester, a dark and compelling science fiction debut that examines agency and sacrifice through one man’s desperate attempt to reach home.

The prodigal son of an anti-AI rebel faction, Kerwin Dotnet tried to make a life for himself as a mixologist on Mars. Now his tyrannical employer, the richest man alive, has been murdered, and K-Dot must depend on first-generation AI spaceship TR-8901 to get him to safety on Jupiter—or suffer a fate worse than death. But TR has a direct interest in identifying the murderer, and its devotion to law and order is the only thing keeping it from purposely self-destructing after 200 years of obsolescence.

World English Language Rights were acquired by Amy Borsuk from Jason Yarn at Jason Yarn Literary Agency.
The Ganymedan will be released in November 2025.

Author R.T. Ester on the acquisition:

“I am very pleased to have joined the Solaris family. Meeting Amy Borsuk last November, I connected instantly with her vision for The Ganymedan, her very observant take on its protagonist, and her enthusiasm for the themes it explores. I was quickly assured the story had found its home and, seeing a notable commitment to publishing thought-provoking fiction, I am thrilled it will be in the caring hands of the Solaris team. I look forward to working with Amy and everyone else to get my scorpion-and-turtle retelling that blends the transhumanist noir of Altered Carbon with the gritty spacefaring of The Expanse out into the world.”

Acquiring Editor Amy Borsuk:

“I’m so excited to be the editor for this provocative and brilliantly intense sci-fi story from R.T. Ester! This compelling story of one man’s doomed and determined journey home explores thought-provoking themes of agency and autonomy, and sacrifice in the name of goodness. It also has a brilliant outmoded, sentient spaceship who acts as counterpoint to everything. R.T. is a brilliant writer and those ready for darker shades of sci-fi, or journeys home, or sentient AI, will love this book.”

Originally from Nigeria, R.T. Ester moved to the United States in 1998 and, catching the creative bug early on, studied art with a focus on design. While working full time as a graphic designer, he began to write speculative fiction in his spare time and, since then, has had stories published in Interzone and Clarkesworld. The Ganymedan is his first novel.

For press enquiries please contact Jess Gofton, PR & Marketing Manager: jess.gofton@rebellion.co.uk.

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OUT NOW: Redsight by Meredith Mooring

We’re wishing Redsight by Meredith Mooring a very happy book birthday!

A blind priestess must learn to take control of the power she never knew she had in this own voices science fantasy debut for fans of Dune and Sisters of the Vast Black.

Heresy is power. Chaos is divine.

Korinna has simple priorities: stay on the Navitas, stay out of trouble, and stay alive. She may be a Redseer, a blind priestess with the power to manipulate space-time, but she is the weakest in her Order. Useless and outcast. Or so she has been raised to believe.

As she takes her place as a navigator on an Imperium ship, Korinna’s full destiny is revealed to her: blood brimming with magic, she is meant to become a weapon of the Imperium, and pawn for the Order that raised her. But when the ship is attacked by the notorious pirate Aster Haran, Korinna’s world is ripped apart.

Aster has a vendetta against the Imperium, and an all-consuming, dark power that drives her to destroy everything in her path. She understands the world in a way Korinna has never imagined, and Korinna is drawn to her against her better judgment.

With the Imperium and the justice-seeking warrior Sahar hot on her heels, Korinna must choose her side, seize her power and fulfil her destiny–or risk imperiling the future of the galaxy, and destroying the fabric of space-time itself.

“Redsight combines the vastness of Dune and Childhood’s End with a visceral, reality-warping journey of self-discovery to create a beautiful, bloody testament to the possibilities of compassion and love.” Ryka Aoki, author of Light From Uncommon Stars

“Redsight is a stellar debut, born from a collision between epic space opera and bewitching cosmic horror. Meredith Mooring weaves echoes of classic sci-fi into a breathtakingly original tapestry — an intoxicating blend of the visceral and the romantic, the monstrous and the mythical.” —Ren Hutchings, author of Under Fortunate Stars

“A brutal, vivid, emotional gut punch of a book. With stakes both deeply personal and universe-altering, Redsight is a cutting examination of the complexities of duty, faith, and moral obligation, helmed by a trio of compellingly flawed characters wielding immense cosmic power. This fresh, high-concept SFF is perfect for fans of Gideon the Ninth and Sisters of the Vast Black.” J. S. Dewes, author of The Last Watch